Church in Dărmăneşti never had the inner painting being recent, and iconostasis with a votive inscription from 1829 was portrayed in the hieratizarrt spirit of old Byzantine canons, pointing precisely through the rigor of the execution. Instead, a ferecătura Gospels in 1821, donated by lordachi Dag on December 20, 1845, is an impressive work of art, executed in silver and multicolored enamel. The abode of închinăciune dedicated to the Annunciation was built the backrests of Iku Darie, seem in the second half of the XVIII Iea and restored then by his son, the postelnic Ikin Darie, at 1829.
All this data is the result of a donation's inscription for a painting of the mother of God who came into the Church's heritage on 26 May 1834 and which is reckoned that he was part of the objects brought by Peter the great in the battle of Poltava, where he managed to defeat t-Charles XII, King of Sweden (July 8, 1709).The image of the Virgin constitute the proper icon, then a border increased with several scenes in which are recorded the most important wonders out of the most Holy Theotokos, the first of which is-obviously-the victory of Poltava. The Central painting seems quite old but I don't have special characteristics of Russian iconography but rather the Renaissance features. As for the addition, he is certainly newer and different invoice, executed on the occasion of the donation probably even from 1834.
Church of the Annunciation from Dărmăneştii Stone used exclusively up to court staff ' land reform from 1864, when the surface of the estate has been reduced considerably and the owners have left. After this time the surrounding buildings are starting to ruin and wasted, and the former chapel was converted into a parish church.